{"title":"Experimental \/ Avantgarde","description":"","products":[{"product_id":"didi-kern-philipp-quehenberger-ha-ha-ha-lp","title":"DIDI KERN \u0026 PHILIPP QUEHENBERGER - Ha Ha Ha - LP","description":"Hypnotic drums and synths! On their album „Ha Ha Ha“ Didi Kern (drums) and Philipp Quehenberger (keyboards) send expressive soundscapes drawing from Pop, Ambient and Psychedelic out into the universe. \u003cbr data-mce-fragment=\"1\"\u003eDidi Kern and Philipp Quehenberger are without a doubt two of the most restless and well known musicians in Vienna’s underground scene. Their gigs in which they unleash a thunderstorm of sound, usually with no interruption, put the audiences into a trancelike state, their shows are a kind of luxurious sensory overload. Viennas best music-nerd music!\u003cbr data-mce-fragment=\"1\"\u003eDidi Kern is the drummer of Austria´s best known Noise-Rock bands Bulbul and Fuckhead and is also a member of the pop singer Gustav´s band and has worked and recorded with big-time Avantgarde-Jazz names like Peter Brötzmann, Ken Vandermark, Mats Gustafsson and Walter Weasel (The Flying Luttenbachers). Quehenberger has released several solo records and on the legendary Avantgarde-Electronica label Editions Mego and on the Viennese underground techno labels Cheap and Minimal Soul and is an explorer of the stylistic realms between electronic music and free improvisation.\u003cbr data-mce-fragment=\"1\"\u003eFor their album „Ha Ha Ha“ they have crafted unconventional but catchy pieces, derived from improvisations and songsketches, that effortlessly transcend the limitations of „Sound“ and „Popular Music“ in an almost scientific exploration of the simple means of drums and synths. The album also features sonic contributions from their similarly genre-defying colleagues Noid (cello) and Fennesz (synth).","brand":"Siluh Records","offers":[{"title":"Default Title","offer_id":40130962620475,"sku":"siluh085","price":14.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/4346\/8859\/products\/kern_quehenberger_web-500x500.jpg?v=1647000441"},{"product_id":"yuri-landman-ensemble-feat-philippe-petit-jad-fair-that-s-right-go-cats-lp","title":"YURI LANDMAN ENSEMBLE feat. Philippe Petit \u0026 Jad Fair - That’s Right, Go Cats - LP","description":"Yuri Landman is a Dutch experimental luthier who has made several avantgardistic electric string instruments for a bunch of artists including Lee Ranaldo (Sonic Youth), Liars, Blood Red Shoes etc. This release is a colloboration of him with Jad Fair (Half Japanese) \u0026amp; avantgarde sound artist Philippe Petit. Bio \/\/ YURI LANDMAN Yuri Landman (1973) is an experimental instrument builder and musician. After a career as a comic book artist as well as a musician in the bands Zoppo and Avec-A, Yuri Landman began designing experimental musical instruments. Based on prepared guitar techniques, he built his first instrument in 2001 to solve the inaccuracy of instant preparations. In 2006 he got in contact with Liars. Developed over six years of prototyping, he fully realised the Moodswinger for them with commissions from numerous other musicians to follow. Yuri has custom built derivatives for such musical luminaries as Sonic Youth, Half Japanese, Enon, Lou Barlow, dEUS, The Dodos, Blood Red Shoes, Liars, HEALTH, Liam Finn, The Luyas, The Veils, Melt- Banana, Micachu \u0026amp; The Shapes, The Go! Team, These Are Powers, Kate Nash, Women, Action Beat, Peter James Taylor, Rhys Chatham, Dustin Wong, Philippe Petit and others. Around 2008 he started giving lectures and presentations with his instruments, leading to a request in 2009 for a practical building workshop. This became the rise of the Home Swinger project. A Gesamtkunstwerk consisting of a DIY-workshop where people build their own electric instrument and often followed by an afternoon rehearsal on the second day and a 40 minute ensemble performance with multiple Home Swingers, drums, basses, and guitars in the tradition of the Rhys Chatham and Glenn Branca compositions. Soon after the rise of the Home Swinger project, other building workshops followed. Events have taken place in AU, BE, CH, DE, FR, UK, IR, NL, SV and US. He recorded the musical pieces with the Rotterdam based musicians Arnold van de Velde and René van Lien (both formerly active in the noise act Feverdream and currently in Neon Rainbows). Jad Fair did the vocals on this recording. In addition to this 22 minute track they recorded a set of other songs all played on Landman's instruments. In 2012 Landman formed the 2-piece band Bismuth w\/ Multi-instrumentalist Arnold van de Velde. The Moodswinger as well as the Home Swinger are included in the permanent collection of the Musical Instrument Museum in Phoenix, AZ. The SONS Museum in Belgium owns another instrument of Landman.","brand":"Siluh Records","offers":[{"title":"Default Title","offer_id":40130964324411,"sku":"siluh037","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/4346\/8859\/products\/yuri_w600-500x500.jpg?v=1647000109"},{"product_id":"thalija-elyjah-split-lp","title":"THALIJA \/ ELYJAH - Split - LP","description":"\u003cp\u003ePostrock des 16köpfingen Wiener Klangmonster THALIJA auf der einen und des Berliner Instrumental-Trio ELYJAH auf dung!er anderen. Für Fans von Mogwai, Explosions In The Sky und Constellation eine sichere Kaufempfehlung! Viennese postrock meets Berlin postrock. Thalija is a legendary wall-of-sound-orchester of mostly viennese art-students. Elyjah is 3-piece-band from Berlin.\u003c\/p\u003e\n\u003cp\u003e(2006)\u003c\/p\u003e","brand":"Siluh Records","offers":[{"title":"Default Title","offer_id":40130965438523,"sku":"siluh004","price":16.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/4346\/8859\/products\/thalija_elyjah-500x500.jpg?v=1647000053"},{"product_id":"shibuya-motors-lp","title":"Shibuya Motors - + - LP","description":"\u003cp\u003eUnce upon a time… somewhere between free jazz mountains, sea of death metal and islands of live electronics… there were SHIBUYA MOTORS! Free improvised electro-acoustic avant-core music project closely related to ATRAKT ART label (organizer of the NEXT festival of advanced music in Bratislava, etc.), established in 2007 by Slavo Krekovic and Miro Toth.\u003c\/p\u003e\n\u003cp\u003eSlávo Krekovič – electronics \u003cbr\u003eMiroslav Tóth – saxophones, lead vocals \u003cbr\u003eDidi Kern – drums and percussion, vocals \u003cbr\u003eBalázs Pándi – drums\u003c\/p\u003e","brand":"Siluh Laden","offers":[{"title":"Default Title","offer_id":40161926545467,"sku":"shinuyamotors","price":21.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/4346\/8859\/products\/a3049807981_10.jpg?v=1654690812"},{"product_id":"mala-herba-demonologia-lp","title":"Mala Herba - Demonologia - LP","description":"\u003cp\u003elimited to 500 pieces\u003c\/p\u003e\n\u003cp\u003eDemonologia is a study of demons, ghosts, spooks, and phantoms. It’s dedicated to all non-binary beings exploring their powers. It’s dedicated to all digital and migrants, striving to make a home where their heart desires. We are all welcome in this world.\u003c\/p\u003e","brand":"aufnahme+wiedergabe","offers":[{"title":"Default Title","offer_id":40161927561275,"sku":"a+wlp031","price":20.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/4346\/8859\/products\/a0158138768_10.jpg?v=1650442698"},{"product_id":"sun-city-girl-dawn-of-the-devi-lp","title":"Sun City Girl - Dawn of the Devi - LP","description":"\u003cp\u003eRe-Issue from 1991 legendary experimental rock group!\u003c\/p\u003e\n\u003cp\u003eAbduction Records reissue Dawn of the Devi, Sun City Girls' follow up album to Torch of the Mystics (ABDT 055LP). Originally released in 1991 on Majora Records, many who had discovered SCG via the preceding Torch LP were immediately alienated and blindsided by Devi and all the harshness that comes with it. Below, John Olson takes us back to 1991 when Dawn of the Devi premiered in all its glory and obscurity.\u003cbr\u003e\u003cbr\u003e\"Sun City Girls scan your dome for what they THINK you want but code it for the opposite. If you don't have me at my 'Napoleon \u0026amp; Josephine' then you don't get me at my 'Valentines for Matahari.' Easy to pick and choose your course thru their ridiculous and amazing path, but to fully get verbally abused by Uncle Jim you have to ingest it ALL. In order makes even less sense. Torch is like the APPLEBEES of the SCG catalog. My sister eats there, the appetizers are *good* \/ they have deals. Devi is after hours dish washing shift at the 'Bees: hurry with a joint out back with the one 'Kool' manager by the grease pit\/catch the 11:15pm bus to go home to your loser roommates watching midget porn as they forget to clean up yet again. Everyone wants a wild free ethno-screech RNR unit as their own to mentally catalogue but when it comes to plugging in and actually DOING experiments, all of a sudden everyone wants to be locked into the 'Rock n Roll High School.' The underground should be difficult and on shaky ground -- like your first kiss. What worth is following rules when you make them yourself? That said, Devi and the previously mentioned Matahari are MY SCG. That fucking BASS sound battling with Jim Hall on Walmart 3am desert speed thru ten watts of pure terror peppered with the ????? tin can ethno rhythm confusion of the great late Charlie G with all cylinders blaring in 'four dateless months in winter mode' is my THC in spades. Devi's sprawling anti-social etho-mess aside, the back photo says it all, in loud mid-range volumes: backs turned, duct taped third eyes, audience of three of which two are talking about how to the get the f outta the gig, the WORKS. A band photo can make a record and this is probably the biggest example of it. Like The Fall's Room to Live, everyone stares at their Chuck Taylor's when Dawn of the Devi is mentioned. Fuck, I'd get a tat of that fem-beast featured on the stark cover, thug-life stomach style in a show of prime period SCG pride but I'm puss when it comes to needles \u0026amp; ink son. Me and soldier Jeff Dunn circa '91 would play this sandpapered masterpiece all day and stare at that photo, placing ourselves either onstage or in the audience, fantasizing how wild the experience must have been. Can't tell you how many times I've had my grill blasted by this unholy racket. The playing is incredible and antisocial AF -- timeless but yet perf for a certain era as well beyond inspiring, musically and culturally. Of course people hated it: tuneless, raw, desperate, sprawling, LONG. It's like if SOLGER went to the ghettos of Baghdad to score black tar feedback instead of sketcher punker huts in Seattle at the dawn of HXC. Everything you need for yet another lonely night glaring into an empty closet is inside this grim long player. How it will sink into the ten second modern digital era of attention is anyone's guess but it's bound to boil and microwave one kid's brain. And I'll def be hunting said kid down to shred with. Also, the fact that I can call the two remaining GIRLS friends and jaw about Sag-nasty with em makes the cake even sweeter homeboy. LONG MAY THEY ISOLATE.\" --John Olson, May 2018\u003c\/p\u003e","brand":"Abduction","offers":[{"title":"Default Title","offer_id":40161929134139,"sku":"ABDT061","price":26.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/4346\/8859\/products\/NDQtNzY3OS5qcGVn_a604dd62-2251-44e2-ae14-14bbc85d497e.jpg?v=1648224657"},{"product_id":"pttrns-material-und-geschichte-lp","title":"Pttrns - Material und Geschichte - LP","description":"\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDer Begriff \"Patterns\" klingt sowohl nach elektronischem Kompositionsstil als auch buntem Klangteppich. Damit kommt man dem Output von Benjamin Riedl, Daniel Mertens, Hendrik Frese und Patrick Hohlweck schon recht nahe. Das Quartett, das ursprünglich aus Köln stammt, sich aber mittlerweile quer über die Republik verstreut hat, schraubt seit etwa 2008 an elektroakustischen Songs, die sich aus zahlreichen Referenzen der Vergangenheit speisen: \"Die kristallklare Gitarre von The Whitest Boy Alive, das beseelte Falsett der frühen Metronomy, der dichte Percussion-Teppich einer Curtis-Mayfield-Single, gefiltert durch die pulsierende, lebhafte Repetition von Neu\", befand zum Beispiel die Redaktion von \"Byte FM\". Zuletzt erschien 2013 mit \"Body Pressure\" das zweite Album der Alternative-Pop-Band. Dessen Nachfolger wurde im Sommer 2017 in Berlin aufgenommen und von Andreas Spechtl (Ja, Panik), der passenderweise ebenfalls erst neulich mit \"Thinking About Tomorrow, And How To Build It\" einen Beitrag zu elektronischer Zukunftsmusik leistete, produziert. Als Gastmusiker beteiligten sich Rabea Erradi (Die Heiterkeit, Sleep) am Saxofon, Sonja Deffner an Klarinette und Gesang (Jason \u0026amp; Theodor, Die Heiterkeit) und Spechtl an Gesang und Gitarre. Ihrem Label sind Pttrns treu geblieben, \"Material und Geschichte\" erscheint bei Altin Village \u0026amp; Mine.\u003c\/span\u003e","brand":"Altin Village","offers":[{"title":"Default Title","offer_id":40161936965691,"sku":"AVM065","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/4346\/8859\/products\/05156291.jpg?v=1655986142"},{"product_id":"bernard-estardy-space-oddities-vol-3-lp","title":"Bernard Estardy - Space Oddities Vol. 3 - LP","description":"\u003cp\u003eA master of the mixing board, from the late 60s until the 90s Bernard Estardy was the wizard of French musical recordings. As head of CBE studios, he shaped everything from Gérard Manset’s concept albums to Claude François’ hit singles, Françoise Hardy’s delicate tear-jerkers and Michel Sardou’s soul-stirrers. This “giant” had his hand in the whole range of mainstream French music by making his studio a veritable playground for experimentation. His legendary album “La Formule du Baron,” released in 1969, and the eight LPs of production music he made between 1974 and 1978 for Tele Music are vivid proof. In the CBE studio, which she runs today, his daughter Julie Estardy discussed his singular career.\u003c\/p\u003e","brand":"Born Bad Records","offers":[{"title":"Default Title","offer_id":40161938047035,"sku":"BB103LP","price":19.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/4346\/8859\/products\/a2868632679_10.jpg?v=1648459064"},{"product_id":"schneider-tm-guitar-sounds-lp","title":"Schneider TM - Guitar Sounds - 2LP","description":"\u003cp\u003eAuf \"Construction Sounds\" (2012) hatte Dirk Dresselhaus aka Schneider TM aus Baustellenlärm Musik gemacht. Auf \"Guitar Sounds\" lotet er aus, was man alles mit einer elektrischen Gitarre und vielen Effektgeräten anstellen kann. Dabei kennt sich Dresselhaus mit der Gitarre aus, in den 90ern spielte er in einigen Indie-Bands (Locust Fudge, Hip Young Things) und hat über seine langjährige Arbeit als Schneider TM mit elektronischer Musik, Film- und Hörspielmusik einen eigenen Ansatz des Gitarrespielens gefunden. Ihm geht es hier nicht um technische Perfektion, sondern um Spontaneität und Improvisation - alle fünf Tracks sind spontane Kompositionen. Dresselhaus interessiert sich für Atmosphäre, Intensität und Magie des ersten Augenblicks. Der Gitarrenklang kann sich dabei verselbstständigen, ein Eigenleben führen. Einige Stücke sind von Filmen inspiriert oder zum Film improvisiert worden, als Equipment dienten diverse E-Gitarren und -Bässe, Lap-Steel-Gitarre, Röhrenverstärker, Reverbs, Echos, Delays, Looper, Octaver, Pitch-Shifter, Isolatoren, Cello-Bogen, Bottleneck.\u003c\/p\u003e","brand":"Bureau B","offers":[{"title":"Default Title","offer_id":40161938964539,"sku":"BB145","price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/4346\/8859\/products\/05978691.jpg?v=1655819313"},{"product_id":"andreas-spechtl-thinking-about-tomorrow-and-how-to-build-it-lp","title":"Andreas Spechtl - Thinking About Tomorrow, And How to Build It - LP","description":"\u003cp\u003eSpechtl hat das komplette Album in Teheran aufgenommen. Der musikalische Einfluss der iranischen Hauptstadt hat spürbar auf seine Songs abgefärbt: Samples von persischen Saiten- und Blasinstrumenten ziehen sie wie ein roter Faden durch „Thinking About Tomorrow …“, ob in den beiden atmosphärischen Interludes „(Of Sound Mind)“ und „(Loops Of Wisdom)“ oder in der Brian-Eno-Etüde „Tmrrw“.\u003c\/p\u003e","brand":"Bureau B","offers":[{"title":"Default Title","offer_id":40161939128379,"sku":"BB2781","price":21.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/4346\/8859\/products\/a3574874161_10.jpg?v=1648372047"},{"product_id":"andreas-spechtl-strategies-lp","title":"Andreas Spechtl - Strategies - LP","description":"\u003cp\u003eAndreas Spechtl liefert mit seinem theatralischen Soloalbum, „Strategies“, ein bestürzend eindringliches Gegenwartsdrama.\u003c\/p\u003e","brand":"Bureau B","offers":[{"title":"Default Title","offer_id":40161940078651,"sku":"BB319","price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/4346\/8859\/products\/61OoTIpMCYL._SL1200.jpg?v=1648371889"},{"product_id":"v-a-chevance-outremusique-pour-entfant-lp","title":"V\/A - Chevance - Outremusique pour entfant - LP","description":"Another Music for Children \/ 1974-1985 \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn the land of Presidents Giscard and Mitterand, thermal clothing and elbow pads, Sautet films and Sunday roasts, the carpeting of a nursery is strewn with a handful of 7-inches. There, exotic birds and courteous elephants guarding a castle built with cakes form a Front for the Liberation of the Imaginary: colourful, systematically framed illustrations standing out against the cream background of gatefold sleeves… doorways to a maze of sounds at the crossroads between the neatest form of chanson and the most prospective jazz. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFounded in the course of the 1970s by Philippe Gavardin, the small collection named Chevance is above all the story of buddies who were out and about between the twilight of the Trente Glorieuses and the disenchantment that followed the socialists’ rise to power, gravitating around this mentor known for his kindness and curiosity. Originally a linguist, Gavardin was one of these open-minded intellectuals, with one foot in the Contrescarpe cabarets and the other in step with the avant-garde, combining his apparently classical tastes with a keen interest in the novelties of his time. It is notably with Jean-Louis Méchali—a drummer from the free jazz scene who became Gavardin’s team-mate and arranged a good deal of the releases—that he forged the identity of this series of recordings for the younger generations: musically janus-faced, definitely literary, impregnated with a surrealism that echoed the decade’s psychedelic and libertarian experiments. The label developed a real editorial policy disregarding commercial constraints. Each record took a clear direction: modern fables, bestiaries, musical tales, cookbooks… Words were the backbone and every release was both carefully designed and perfectly manufactured.","brand":"Born Bad Records","offers":[{"title":"Default Title","offer_id":40161941291067,"sku":"BBLP112","price":21.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/4346\/8859\/products\/a3007471512_10.jpg?v=1652082750"},{"product_id":"berke-can-ozcan-mountains-are-mountains-lp","title":"Berke Can Özcan - Mountains Are Mountains - LP","description":"\u003cp\u003e\"Mountains Are Mountains\" is a solo album that presents the sound of many moments scattered all over a period of Berke Can Özcan's (Ex-Konstrukt, Big Beats Big Times) personal time on this planet. He is a drummer, composer, writer, producer who keeps experimenting with all that is available to his one ear. Gongs, aquadrums, a vibraphone, a steel drum, a prepared piano, a vintage harmonium which smells exactly like a vintage harmonium, log drums, kalimbas, as well as his self-made instruments made of old keys, soda caps, flower pots, bamboos, the most lousy-looking pedestal fan in the world, bicycle bells, straw brooms, old toys, garden hoses and Buddhist-prayer playing machines are all played by himself.\u003c\/p\u003e","brand":"Bohemian Drips","offers":[{"title":"Default Title","offer_id":40161943486523,"sku":"BD012","price":27.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/4346\/8859\/products\/a2358641053_10.jpg?v=1648458866"},{"product_id":"massicot-kratt-lp","title":"Massicot - Kratt - LP","description":"Massicot’s latest album occupies a strange and Wonderful Reuleaux triangle situated between the traditional spiritual story telling mysticism of North European pagan folklore, latin and middle eastern inspired polyrythms and post punk.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt’s meandering arrangements are full and juicy, yet formed from the simplest elements, they are minimal, sculpted and refined.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBouncing and multitimbral percussive tapestries are coupled with thick pulsating baselines to form tightly wound rolling beats, accented by citric guitar hooks that bring to mind the percussive pique and jag of glenn Branca or talking heads and soothed by Latvian chant-like and choral vocal melodies,\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMassicot choreograph a sort of carnival caousel dance eternal that locks in the mind and lures the body.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe groove is key, mechanical, yet nuanced, seductive and human.","brand":"Bongo Joe","offers":[{"title":"Default Title","offer_id":40161944633403,"sku":"BJR048","price":22.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/4346\/8859\/products\/a1159831211_10.jpg?v=1650543836"},{"product_id":"shampoo-boy-crack-lp","title":"Shampoo Boy - Crack - LP","description":"Sparse, slightly noisy Industrial Ambient album feat. 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Haunting, plaintive and excitingly multifarious, Higher Order is a record all solo guitar fans need to sink their teeth into.\" - Keith Hadad, Record Crates United \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"mostly acoustic blues-folk infused set of solo material, partly improvised and partly composed. These songs run the gamut from buoyant, bucolic, fingerpicked transcendentalism to tetchy, twitchy, untethered shows of digital skill, with one space-age foray into electric guitar psychedelia at the end.\" - Jennifer Kelly, Dusted \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"his evolving, individual vision and talent are on display with this new solo guitar joint from Carbon Records, Highest Order... Highest Order is cohesive and varied, Arn always finding new modes to explore. ... soaked in timeworn melodies that are an invitation into this quixotic sound world. Arn’s playing style is distinct, his own filter on a wide range of styles and sewn together with bits of ancient string and dried-out glue. So much of Highest Order is timeless and it’s that connective tissue that elevates it into something memorable.\" - Brad Rose, Foxy Digitalis","brand":"Carbon Records","offers":[{"title":"Default Title","offer_id":40161948991547,"sku":"CR249","price":20.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/4346\/8859\/products\/a0282424329_10.jpg?v=1649334468"},{"product_id":"kink-gong-zomia-vol-1-lp","title":"Kink Gong - Zomia Vol. 1 - LP","description":"\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eKink Gong is back with his unique take and re-interpretation of the music he’s been recording and documenting for years in the South East Asian highlands. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eZomia Vol.1 takes the conceptual idea of ZOMIA, proposed by James C Scott in The Art of Not Being Governed, an Anarchist History of Upland South East Asia, to construct its very own mythological soundscape inspired by a semi-utopic region where state rules don’t apply. Zomia might be (almost) gone but Kink Gong is keen keep its spirit alive by releasing a series of albums celebrating the region’s quasi mythological features. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e‘’Zomia is an idea, a concept that, not so long ago, there were two very distinct worlds in southeast Asia, the valley VS highland\/hinterland, the civilisation VS the primitive, paddy rice VS slash and burn agriculture, Buddhism VS Animism, fixed territory VS movement\/migration, written system VS oral culture, the state VS anarchy, property VS squat, controlled population VS autonomy, bricks VS bamboo and wood and, at my level museumified traditional mainstream music VS real emotions\/songs of devastated lives and\/or gongs ceremonies with buffalo sacrifices, extreme heat in the valleys VS shade in the jungle. I could go on and on but let’s not\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e forget that ZOMIA is disappearing fast, if not altogether already. How many of the people I’ve recorded are still alive? \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs you might know, before composing new music from my own ZOMIAN experience (from 2001 to 2014 in Cambodia, Laos, Vietnam, Thailand and China) I had to find those musicians, be able to communicate with them, record them as good as I could with very limited finances and gradually release a collection of 160 CDrs. It is very important for me to make sure you to listen to the fantastic original recordings before or after you’ve listened to this experimental reconstruction I called ZOMIA! \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eExpect more volumes to come, this is my biggest source of inspiration, and the reason why I’ve been involved for years in constructing a mythological experimental musical ZOMIAN soundscape.’’ \u003cbr data-mce-fragment=\"1\"\u003eLaurent Jeanneau, Berlin 2020\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e","brand":"Discrepant","offers":[{"title":"Default Title","offer_id":40161949024315,"sku":"CREP85","price":24.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/4346\/8859\/products\/a2065947443_10.jpg?v=1650112732"},{"product_id":"clemens-denk-reserviert-cd","title":"Clemens Denk - Reserviert - CD","description":"Es sind Würfe, die uns Clemens Denk in seinem neuen Album Reserviert vorwirft. Kurze Würfe, mittlere Würfe, weite Würfe in Richtung eines Ziels, das wir alle noch nicht kennen. Immer am konkreten, am greifbaren Gegenstand erzählt der beinahe singende Dichter hier aus seinem Alltag zwischen dem Versuch der Empathie mit allem und jedem – und ihrer Zurückweisung von allem und jedem. Objektive Liebeslieder mit subjektivem Flirtfaktor, könnte man sagen, wenn das Wort Liebeslied nicht so abgewirtschaftet hätte. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eUnd genau das scheint mir der Antrieb Denks zu sein: zu erkunden, warum wir in Sachen Zuneigung, und zwar nicht nur zu den Menschen, an denen wir uns bereits mehr verzweifelt als verliebt festhalten, sondern auch zu den kleinen käuflichen Dingen, die zu kaufen ja gar nicht so selbstverständlich ist, so schwer tun. Die Dinge. Ohrring, Dreimeterstab, Schlachthaus, Kneipe, Schuh, Zimmer, Stradivari, Scherbe, Suppe, Sänger. Von Denk gerendert in Alltagssprache. Hier könnte man zu punkten versuchen, indem man anmerkt, dass diese Lyrikmethode der Innenbeschreibung durch Außenandeutung einen Seitenstrang des Blues fortsetzt und da auch gleich den großartigen „Jumper on the Line“ von R.L. Burnside nennen. Trotzdem bleibt die Frage, warum diese Dinge und keine anderen? Und warum kaufen und nicht ausborgen? Und warum nicht lieben? \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHach, ich weiß es auch nicht, niemand weiß es, und so treffen mich Denks Würfe als leere Zielscheibe, die bunt in den Farben der ganzen, erbärmlichen Welt strahlt. Schaut, wie gut er werfen kann! Wenn Würfe treffen, nennt man sie „Hits“, auch so ein Ding, das wir nicht mehr schätzen können. Und doch: Das „Leberblümchen“ strahlt wie das B von Bass, die „Gischt“ wie dein Gesicht, der „Robert“ wie der flotte Anzugmann von OKCupid, pittoresk konsumierender Vollstreckerschlappi des Abgesangskapitalismus. Denk kehrt ihm die Brösel unter dem Tisch zusammen. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMan sollte, finde ich, in den künstlich kindlichen, eindringlich simplen und lautmalerischen Beschreibungstexten Denks weder konkreten Rap oder Sprechgesang noch naive Liebesdudelei in dinglich cooler Form hören. Und sagen Sie niemals Postpunk zu ihm! Es sind kritische Lieder und Aperçus eines politisch sensiblen Nonkonformisten, mit der selbstkritischen Emphase des Spiegels vorgetragen, Protestlieder gegen das eigene Ich, das sich als solches, als kaufendes, als amputiertes, als reserviertes nicht mehr erkennen will, weil es schon im kommenden Zeitalter lebt. \u003cbr data-mce-fragment=\"1\"\u003eIn der Phantasie. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThomas Raab, November 2020","brand":"Cut Surface","offers":[{"title":"Default Title","offer_id":40161949450299,"sku":"CS","price":12.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/4346\/8859\/products\/a0838955545_10.jpg?v=1648558009"},{"product_id":"dino-spiluttini-to-be-a-beast-lp","title":"Dino Spiluttini - To be a Beast - LP","description":"\u003cp\u003e(2017)\u003c\/p\u003e","brand":"Cut Surface","offers":[{"title":"Default Title","offer_id":40161950007355,"sku":"CS","price":21.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/4346\/8859\/products\/a0750135310_10.jpg?v=1648736525"},{"product_id":"matana-roberts-coin-coin-chapter-two-lp","title":"Matana Roberts - Coin Coin Chapter Two: Mississippi - LP","description":"OIN COIN Chapter Two: Mississippi Moonchile is the much-anticipated new installment of Matana Roberts' unique and forward-looking project and it finds Roberts conjuring some of the most nuanced, thoughtful and substantial American liberation music of the 21st century. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMississippi Moonchile was developed for an intimately woven New York jazz sextet and represents the next leap forward in Roberts' iconoclastic and complex project of memory and recuperation, where historical and contemporary musical tropes, fragmentary spoken and sung narratives, and Matana's cascading alto saxophone are supported by prodigiously talented players. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eChapter Two unfolds as a cohesive album-length piece, playing with notions of dignity, rarefaction and restraint. The six players are in a perpetual motion of coalescence and divergence, where melodic themes, occasional ostinato passages, and variously deployed literal voices serve to rally the overriding theme of individual narratives and personal expressions as struggles with, celebrations of and threads within collective history. The contortions of empowerment, pride, shame, suffering, eulogy, empathy, liberation and transcendence are Matana's raw material in the broadest and most specific senses; she has given this raw material another beautiful and compelling shape in the second chapter of the COIN COIN story.","brand":"Constellation","offers":[{"title":"Default Title","offer_id":40161952104507,"sku":"CSTLP98","price":28.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/4346\/8859\/products\/a1334015794_10.jpg?v=1650543974"},{"product_id":"chra-on-a-fateful-moring-lp","title":"Chra - On A Fateful Moring - LP","description":"\u003cp\u003e1 Cognitive Ease\u003cbr data-mce-fragment=\"1\"\u003e2 Phorusrhacidae\u003cbr data-mce-fragment=\"1\"\u003e3 Odessatocha\u003cbr data-mce-fragment=\"1\"\u003e4 Crowded Dream\u003cbr data-mce-fragment=\"1\"\u003e5 Das Modul\u003cbr data-mce-fragment=\"1\"\u003e6 Coisioc\u003c\/p\u003e\n\u003cp\u003eRelease: Dec. 2017\u003c\/p\u003e","brand":"Editions Mego","offers":[{"title":"Default Title","offer_id":40161955840059,"sku":"eMego244V","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/4346\/8859\/products\/5050580678675.jpg?v=1648554838"},{"product_id":"dino-spiluttini-heaven-lp","title":"Dino Spiluttini - Heaven - LP","description":"Heaven is a work of contemporary church music. Centrally occupied with the subject of death, its conceptualisation was catalysed by Spiluttini’s discovering his mother’s preparations both for her own death and for his. He arrived at her home in 2015 to be led into the local church and shown the two adjacent places she had reserved for their urns. The tracks on Heaven together consist of an analogously personal and anticipatory negotiation with death. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePartly derived from organ recordings made in the same church, the album frequently enlists Arvo Pärt’s compositional method of tintinnabuli. Aside from the thematic logic of its sacred associations, the method suits Spiluttini’s tendency, in spite of heavy and dynamic passages, to minimise tonal complexity. His characteristic uses of gnashing bass, restlessly irregular pacing and serrated distortion return. This time, they combine with pads, harps, fluttering organs and swooping choirs.","brand":"Editions Mego","offers":[{"title":"Default Title","offer_id":40161956003899,"sku":"EMEGO266","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/4346\/8859\/products\/a0029887034_10.jpg?v=1648736391"},{"product_id":"pere-ubu-new-picnic-time-lp","title":"Pere Ubu - New Picnic Time - LP","description":"\u003cp\u003eOriginally released in 1979, \"New Picnic Time\" is \"weird, wonderful and exceeds expectations in such a way that deconstructs popular music as pleasingly retro as the Beatles while being as modern as the modern blending of funk, hip hop and alt-rock. Revolutionary and crazy, yet absolutely fun.\" (Scott Laurence, Herald-American)\u003c\/p\u003e","brand":"Fire Records","offers":[{"title":"Default Title","offer_id":40161956626491,"sku":"FIRELP 363","price":25.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/4346\/8859\/products\/0809236136312.jpg?v=1655976877"},{"product_id":"eric-arn-margaret-unknown-paranza-corta-lp","title":"Eric Arn \u0026 Margaret Unknown - Paranza Corta - LP","description":"\"I’ll definitely listen to ERIC ARN \u0026amp; MARGARET UNKNOWN’s frantic, two-guitar improvisation LP Paranza Corta again for sure. When these two really get going with their unusually-tuned, well mic’d acoustic interplay, it sounds like the perfect soundtrack to an ant colony documentary, sped up 100x. It’s pretty berserk. Last year I bought Eugene Chadbourne’s 1976 Volume One: Solo Acoustic Guitar, and this reminds me more than a little bit of that.\" - Jay Hinman, Dynamite Hemorrhage","brand":"Feeding Tube Records","offers":[{"title":"Default Title","offer_id":40161958297659,"sku":"FTR384","price":20.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/4346\/8859\/products\/a2555881664_10.jpg?v=1649334375"},{"product_id":"eric-arn-jasmine-pender-hydromancy-lp","title":"Eric Arn \u0026 Jasmine Pender - Hydromancy - LP","description":"On the LP Hydromancy (FEEDING TUBE RECORDS FTR493), we have two side-long instrumentals performed by Eric Arn and Jasmine Pender... On side one here, ‘In Illo Tempore’ may be slow and understated, but is emphatically not a cold exploration of ambient textures; there’s some deep and rich performances going down here, and in places one can make out some hefty slide guitar action being deployed to render chasm-like swathes in the ether. \u003cbr data-mce-fragment=\"1\"\u003eSo far we have something like a less harrowing version of Michel Henritzi, and the studio treatments on Hydromancy are used to create just the right amount of frisson and iciness. Indeed as we reach the closing passages, the duo inadvertently create a form of music that could be mistaken for “spectral” composition or the microtonal clouds of a Ligeti orchestral work. Flip over to hear ‘The Serpent Ophis’... For this piece, Arn and Pender switch to a more up-tempo mode and are soon grinding out a hypnotic, monotonous riff where all the frequencies merge into an iron block of sound. There’s also a tinge of menace and fear which isn’t as noticeable on the more benign A-side. In following the coils of their chosen serpent, the duo remain resolute in their musical quest with this single-minded, obsessive music; stay with them and you too may discover the hidden treasure. \u003cbr data-mce-fragment=\"1\"\u003eAll done live, with very little editing and no overdubs and no post-processing; there’s a lot of understated skill and musical craft at play here. - Ed Pinsent, The Sound Projector","brand":"Feeding Tube Records","offers":[{"title":"Default Title","offer_id":40161958330427,"sku":"FTR493","price":20.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/4346\/8859\/products\/a4168873496_10.jpg?v=1649334253"},{"product_id":"mats-erlandson-minnesmarke-lp","title":"Mats Erlandson - Minnesmärke - LP","description":"\u003cp\u003eMats Erlandsson makes his debut on the Swiss label Hallow Ground with »Minnesmärke,« at once a nuanced sonic exploration of the industrial and political history of his native Sweden and a deeply personal album. One of the key figures of the Stockholm drone scene, the prolific composer worked with The Kilimanjaro Darkjazz Ensemble’s Hillary Jeffery, violinist and long-time friend Gaianeh Pilossian as well as sound artist and frequent collaborator Yair Elazar Glotman for a two-part composition built around tuned sustained tones performed by electronic and acoustic instruments that were combined with field recordings in order to evoke a psychedelic state of reflection, a dream-like elegy for the acoustic properties of the former iron ore mine Ställbergs Gruva where the music has been conceived and recorded. Following up on releases on labels such as Hallow Ground label mates Kali Malone and Maria W Horn’s XKatedral imprint, »Minnesmärke« is Erlandsson's most accomplished work yet.\u003c\/p\u003e","brand":"Hallow Ground","offers":[{"title":"Default Title","offer_id":40161963311163,"sku":"HG2008","price":27.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/4346\/8859\/products\/a1196434298_10.jpg?v=1650544107"},{"product_id":"einar-orn-ghostigital-2x10","title":"Einar Orn - Ghostigital - 2x10“","description":"\u003cp\u003eIcelandic vocalist, songwriter, musician and visual artist born 29 October 1962 in Reykjavík. \u003cbr\u003eActive in Iceland punk music scene since the late 70’s, he gained global attention with The Sugarcubes in 1988. Since their disbanding he has collaborated in other musical projects and formed Ghostigital with Curver. He has also composed music for films and currently he is focused in his art career as drawer too.\u003c\/p\u003e\n\u003cp\u003eTracklist:\u003c\/p\u003e\n\u003cp\u003eA1 Bank\u003cbr\u003eA2 Mess Up\u003cbr\u003eB Boink\u003cbr\u003eC Mess Up (NLO Remix)\u003cbr\u003eD1 Je Je Je\u003cbr\u003eD2 Calm Water No. 35\u003c\/p\u003e\n\u003cp\u003eSides A and B from the album Ghostigital \u003cbr data-mce-fragment=\"1\"\u003eSide D live at the Grand Rokk, Reykjavik, 18.9.03\u003c\/p\u003e","brand":"Honest Jons","offers":[{"title":"Default Title","offer_id":40161965539387,"sku":"JHP9","price":24.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/4346\/8859\/products\/LTMyMjIuanBlZw.jpg?v=1649074320"},{"product_id":"harmonia-live-1974-lp","title":"Harmonia - Live 1974 - LP","description":"\u003cp\u003eWieder erhältlich: das am 23. März 1974 im Penny Station Club in der Nähe von Detmold aufgenommene Livekonzert der deutschen Krautrocklegende Harmonia, bestehend aus Michael Rother, Dieter Moebius und Hans-Joachim Roedelius. Grönland-Erstveröffentlichung am 19.10.2007.\u003c\/p\u003e","brand":"Grönland Records","offers":[{"title":"Default Title","offer_id":40161969766459,"sku":"LPGRON78","price":24.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/4346\/8859\/products\/1577248_01_med.jpg?v=1649512049"},{"product_id":"langham-research-centre-tape-works-vol-2-lp","title":"Langham Research Centre - Tape Works, Vol. 2 - LP","description":"Tape Works Vol. 2 is the new album from the UK’s leading musique concrète ensemble, Langham Research Centre. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis album presents recent substantial pieces that contrast with the shorter pieces found on Tape Works Vol. 1 (2017) which showcased some of the group’s earliest tape experiments. These new pieces utilize recordings made in specific locations in addition to an array of analogue devices and sound producing objects, some of which feature in the album’s cover art. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis approach is evident in Dinotique, commissioned for Café Oto’s Stereo Spasms festival in 2019, a celebration of the work of the late French composer Luc Ferrari to mark his 90th birthday. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLuc Ferrari – a founding member of the Groupe de Recherches Musicales (GRM) who worked alongside composers such as Pierre Schaeffer and Pierre Henry – is an inspirational figure to LRC. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAsked to choose one of Ferrari’s works to respond to with their own new piece, LRC selected Les Anecdotiques (2002), a work in which Ferrari combines his recordings from a series of travels with his archive of electronic sounds and spontaneous and intimate words. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLRC put their own location recordings and electronic sounds together, and placed them in dialogue with those of Ferrari, having been given permission by Brunhild Ferrari to incorporate parts of Les Anecdotiques in this new work. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBrutalist buildings are a recurrent feature on this album. They are an architectural manifestation of modernism, the arts and ideas movement that has long fascinated the group. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOn Tape Works Vol. 2 there is a parade of inspirational concrete structures, from the echoing ramp of Tate Modern’s Turbine Hall (‘Terminal Voltage Traces’) to the Paris architecture of Le Corbusier, Jean Renaudie and Renée Gailhoustet (‘A Return to Spatial Futures’). Dinotique features recordings from London’s Barbican Centre, while in ‘Accarezzo’ even the remote shingle of Orford Ness is accompanied by recordings from the site’s concrete ‘pagodas’ in which the UK’s Atomic Weapons Research Establishment once worked. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLangham Research Centre - Felix Carey, Iain Chambers, Philip Tagney and Robert Worby - make experimental music using resources and ideas that, until recently, were considered obsolete, redundant or outdated. Their music is made using tape recorders, cassette machines, shortwave radios and specialist devices found in recording studios. Their inspiration and enthusiasm is driven by the soundworlds produced by maverick composers working in the middle of the 20th century.","brand":"Nonclassical","offers":[{"title":"Default Title","offer_id":40161977565243,"sku":"NONCLSS043","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/4346\/8859\/products\/a4211276035_16.jpg?v=1650117587"},{"product_id":"roberto-musci-melanesia-lp","title":"Roberto Musci - Melanesia - LP","description":"Join us on a journey back in time, maybe thousands of years ago, somewhere in the isolated islands of Melanesia. Here, just like a sound alchemist, Roberto Musci transforms organic nature elements into a unique sound performance of self-estrangement. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn the artists’ laboratory, we will discover a melting pot of ancestral ceremonial sounds collided with contemporary chamber music and experimental-electronic methods based on music research. Among these, ethnical music of the populations of Kanaki, Itamul, Kaluli, Niugini, Abelam, Huli, Enga unconventionally search for an intrinsic connection between humankind and music, part of our lives since the dawn of times. Several studies have highlighted in the DNA of the people of Melanesia genetic traits that trace their origins back to the man of Neanderthal and Denisova (about 70,000 years ago). Their isolation has preserved primitive culture and, perhaps, music. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRoberto Musci composed “Melanesia” based on the Plunderphonics technique mixing traditional ethnic music with contemporary chamber music and concrete music. \u003cbr data-mce-fragment=\"1\"\u003eMastered by Kassian Troyer at Dubplates \u0026amp; Mastering, “Melanesia” is released in digital format and limited edition 12\", 180g vinyl, with a cover artwork created by Giuseppe Lo Schiavo.","brand":"Oxmose","offers":[{"title":"Default Title","offer_id":40161981038651,"sku":"OXE004LP","price":26.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/4346\/8859\/products\/a1500086432_10.jpg?v=1655823200"},{"product_id":"the-striggles-s-t-2lp","title":"The Striggles - s\/t - 2LP","description":"\u003cp\u003e(2012)\u003c\/p\u003e\n\u003cp\u003elegendary indie-rock group from Graz\u003c\/p\u003e\n\u003cp\u003elimited to 323 copies\u003c\/p\u003e","brand":"Rock Is Hell","offers":[{"title":"Default Title","offer_id":40161984643131,"sku":"RIP36","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/4346\/8859\/products\/a4193930023_10.jpg?v=1653935188"},{"product_id":"booth-quehenberger-kern-whos-that-12","title":"Booth \/ Quehenberger \/ Kern - Who's That? - 12“","description":"awesome record by these 3 giants. \u003cbr data-mce-fragment=\"1\"\u003erecorded live at celeste, vienna at august 2011. \u003cbr data-mce-fragment=\"1\"\u003evinyl cut by the one and only rashad becker. \u003cbr data-mce-fragment=\"1\"\u003elimited to 305 copies","brand":"Rock Is Hell","offers":[{"title":"Default Title","offer_id":40161985167419,"sku":"RIP60","price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/4346\/8859\/products\/rip60_yellow_front.jpg?v=1648463215"},{"product_id":"raumschiff-engelmayr-am-schuttel-lp","title":"Raumschiff Engelmayr - Am Schüttel - LP","description":"\u003cp\u003eSoloproject by Bulbul-frontman Fredl.\u003c\/p\u003e\n\u003cp\u003eprepared electric guitar, electric tennis racket (4) + vocals. \u003cbr\u003erecorded live in single takes. no loops no overdubs xpt voice.\u003cbr\u003e\u003cbr\u003ereleased January 25, 2018 \u003cbr\u003e\u003cbr\u003ewords and music: Manfred Engelmayr. \u003cbr\u003eadd. voice: Karin Ankele.\u003c\/p\u003e","brand":"Rock Is Hell","offers":[{"title":"Default Title","offer_id":40161985691707,"sku":"RIP78","price":17.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/4346\/8859\/products\/a2317289106_10.jpg?v=1655988416"},{"product_id":"radian-howe-gelb-radian-verses-howe-gelp-lp","title":"Radian \u0026 Howe Gelb - Radian Verses Howe Gelb - LP","description":"(2014)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHowe Gelb: voice, guitars, piano \u003cbr data-mce-fragment=\"1\"\u003eMartin Brandlmayr: drums, vibraphone, electronics, synths \u003cbr data-mce-fragment=\"1\"\u003eMartin Siewert: guitars, lap-, and pedalsteel, electronics, synths \u003cbr data-mce-fragment=\"1\"\u003eJohn Norman: bass \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMusic by Radian and Howe Gelb \u003cbr data-mce-fragment=\"1\"\u003eLyrics by Howe Gelb \u003cbr data-mce-fragment=\"1\"\u003eExcept \"Moon River\" by Henry Mancini and Johnny Mercer \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRecorded at \u003cbr data-mce-fragment=\"1\"\u003e-Amann Studios by Christoph Amann \u003cbr data-mce-fragment=\"1\"\u003e-Garnison 7 by Martin Siewert \u003cbr data-mce-fragment=\"1\"\u003e-Hugo Sound by Martin Brandlmayr \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eEdited and Arranged by Martin Brandlmayr \u003cbr data-mce-fragment=\"1\"\u003eMixed by Martin Brandlmayr and Martin Siewert \u003cbr data-mce-fragment=\"1\"\u003eMastered by Martin Siewert","brand":"Siluh Laden","offers":[{"title":"Default Title","offer_id":40161987199035,"sku":"RRXLP1","price":21.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/4346\/8859\/products\/a1901421977_10.jpg?v=1655989649"},{"product_id":"tropikal-camel-awakening-spirits-lp","title":"Tropikal Camel - Awakening Spirits - LP","description":"“Those are the spirits of my ancestors calling from the Mellah of Meknes, from the mountains of Kurdistan. The unheard voices of my culture, that was taken from me. I shall talk to the spirits, I will heal the wounds. I was asleep, now I am awaken.” \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBerlin based, Jerusalem pioneer Roi Assayag aka Tropikal Camel serves up his fantastic new album, ‘Awakening Spirits’ on Brussels based label Rebel Up Records, distilling 20 years of musical experience. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album title ‘Awakening Spirits’ is a wordplay: in Hebrew \u0026amp; Arabic, winds, spirits \u0026amp; ghosts are the same word - Ruaah. This title is polysemic: spirits are representing the mystic research that is eternal, winds are representing drama and conflict , ghosts are the voices from the past... the word awakening symbolizes the future. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMakom in Hebrew, Maqam in Arabic, which means ‘place’ but is also the name of the melodic system of Arabic music, theory which Roi Assayag has taught himself from youtube tutorials, trying to deepen his connection with the melodies that opened his soul. In those quarter tones he found the drama that he is so connected to. One that is making him feel home.","brand":"Rebel Up Records","offers":[{"title":"Default Title","offer_id":40161987657787,"sku":"RUP009","price":24.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/4346\/8859\/products\/a4009393211_10.jpg?v=1653552363"},{"product_id":"yoko-ono-plastic-ono-band-lp","title":"Yoko Ono - Plastic Ono Band - LP","description":"\u003cp\u003eLP inklusive Download Card mit Bonus Tracks. Secretly Canadian ist überglücklich zusammen mit Chimera Music YOKO ONOs musikalischen Output aus den Jahren 1968 bis 1985 veröffentlichen zu dürfen. Das Ziel der elf Studioalben umfassenden Reissue-Serie ist es, die definitiven Ausgaben dieser zeitlosen Meisterwerke im Rückblick zu kreieren und gleichzeitig so nahe wie möglich das originale Artwork und die ursprüngliche Aufmachung der Vinylausgaben nachzuempfinden. Dazu wurden die Musikaufnahmen neu gemastert sowie Archive ungesehener Fotos und Grafiken durchforstet und das Material detailgetreu kuratiert. Als Vinylversionen werden diese Alben zum ersten Mal seit Jahrzehnten wieder erhältlich sein. Die ersten drei Alben der Reissue-Reihe sind ,Unfinished Music No. 1: Two Virgins\" von 1968, ,Unfinished Music No. 2: Life With The Lions\" von 1969 und ,Plastic Ono Band\" von 1970. Die seit langem überfällige Vinyl-Wiederveröffentlichung von YOKO ONOs wegweisendem, aber stark unterschätztem Album ,Plastic Ono Band\" enthält alle Komponenten eines Trips in die Vergangenheit des Classic Rock: YOKO ONO, JOHN LENNON, RINGO STARR, KLAUS VOORMANN und die Freejazz-Legende ORNETTE COLEMAN. All diese Komponenten lösen eine gefährliche Dosis Nostalgie aus. Doch in dem Moment in dem die Nadel auf die Platte trifft, tritt das Album das exakte Gegenteil von Nostalgie los. Das 1970 veröffentlichte Album beeinflusste nicht nur die Herangehensweise anderer Musiker auf Jahrzehnte, es klingt auch 45 Jahre nach seiner Veröffentlichung absolut modern, völlig frisch, trotz der vorangeschrittenen Zeit. ,Plastic Ono Band\" nahm nicht nur die Kollision von Avantgarde und Rock einige Jahre später vorweg. Die vier Bonus Tracks ,Open Your Box\", ,Something More Abstract\", ,Why (Extended Version)\" und ,The South Wind\", nun ein Teil des Reissues im CD und Download Format, waren auf dem Originalrelease nicht enthalten.\u003c\/p\u003e","brand":"Secretly Canadian","offers":[{"title":"Default Title","offer_id":40161988411451,"sku":"SCLP 281","price":25.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/4346\/8859\/products\/00102414.jpg?v=1651053753"},{"product_id":"john-lennon-yoko-ono-unfinished-music-no-2-lp","title":"John Lennon \/ Yoko Ono - Unfinished Music No. 2 - LP","description":"\u003cp\u003eLP inklusive Download Card mit Bonus Tracks. Secretly Canadian ist überglücklich zusammen mit Chimera Music YOKO ONOs musikalischen Output aus den Jahren 1968 bis 1985 veröffentlichen zu dürfen. Das Ziel der elf Studioalben umfassenden Reissue-Serie ist es, die definitiven Ausgaben dieser zeitlosen Meisterwerke im Rückblick zu kreieren und gleichzeitig so nahe wie möglich das originale Artwork und die ursprüngliche Aufmachung der Vinylausgaben nachzuempfinden. Dazu wurden die Musikaufnahmen neu gemastert sowie Archive ungesehener Fotos und Grafiken durchforstet und das Material detailgetreu kuratiert. Als Vinylversionen werden diese Alben zum ersten Mal seit Jahrzehnten wieder erhältlich sein. Die ersten drei Alben der Reissue-Reihe sind ,Unfinished Music No. 1: Two Virgins\" von 1968, ,Unfinished Music No. 2: Life With The Lions\" von 1969 und ,Plastic Ono Band\" von 1970. Wenn ,Two Virgins\" der erste ekstatische Kuss ist, den zwei der größten Liebenden der Popkultur miteinander austauschen, dann ist ,Life With The Lions\" der Sound eines Paares, das seine Liebe zu etwas Undurchdringlichem und Zeitlosen erhebt. Hier beginnen wir als Zuhörer zu verstehen, dass der Umfang ihrer Aufnahmen mehr als eine musikalische Zusammenarbeit war und einer performativen Dokumentation gleicht, einer Deklaration von ,Unser Leben und unsere Liebe sind unsere Kunst - jedes noch so kleine Teil davon\". Die Sammlung beginnt mit einem zielgerichteten Stück improvisierter Musik, das aus einer Liveperformance in der Lady Mitchell Hall der Cambridge University 1969 zusammengestellt wurde. Die gesamte zweite Seite wurde in einem Krankenhauszimmer des Londoner Queen Charlotte Hospital aufgenommen, in das ONO mit Schwangerschaftskomplikationen eingeliefert wurde und schlussendlich ihr Kind John Ono Lennon II verlor. Das Coverfoto des Albums wurde in diesem Zimmer geschossen; mit YOKO ONO in ihrem Krankenbett und JOHN LENNON in einem Schlafsack auf dem Boden neben ihr. Beide wirken erschöpft von den Strapazen. Die Bonus Tracks ,Song For John\" und ,Mulberry\", nun ein Teil des Reissues im CD und Download Format, waren auf dem Originalrelease nicht enthalten.\u003c\/p\u003e","brand":"Secretly Canadian","offers":[{"title":"Default Title","offer_id":40161988575291,"sku":"SCLP 290","price":24.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/4346\/8859\/products\/00102421.jpg?v=1650103960"},{"product_id":"john-lennon-yoko-ono-unfinished-music-no-1-two-virgins-lp","title":"John Lennon \/ Yoko Ono - Unfinished Music No. 1 - Two Virgins - LP","description":"\u003cp\u003eLP inklusive Download Card mit Bonus Track. Secretly Canadian ist überglücklich zusammen mit Chimera Music YOKO ONOs musikalischen Output aus den Jahren 1968 bis 1985 veröffentlichen zu dürfen. Das Ziel der elf Studioalben umfassenden Reissue-Serie ist es, die definitiven Ausgaben dieser zeitlosen Meisterwerke im Rückblick zu kreieren und gleichzeitig so nahe wie möglich das originale Artwork und die ursprüngliche Aufmachung der Vinylausgaben nachzuempfinden. Dazu wurden die Musikaufnahmen neu gemastert sowie Archive ungesehener Fotos und Grafiken durchforstet und das Material detailgetreu kuratiert. Als Vinylversionen werden diese Alben zum ersten Mal seit Jahrzehnten wieder erhältlich sein. Die ersten drei Alben der Reissue-Reihe sind ,Unfinished Music No. 1: Two Virgins\" von 1968, ,Unfinished Music No. 2: Life With The Lions\" von 1969 und ,Plastic Ono Band\" von 1970. Der Sound des sich-Verliebens ist genauso abstrakt, subjektiv und verrückt wie das Konzept der Liebe selbst. YOKO ONO und JOHN LENNON sind zwei der größten Liebenden der Geschichte und ,Two Virgins\" ist das ,Musique Concrète\"-Fiebertraum-Dokument eines Paares, das sich in Echtzeit verliebt. Das Album ist eine kuriose und einmalige Aufnahme, die innerhalb eines Wochenendes im Frühjahr 1968 in LENNONs Haus in Kenwood aufgenommen wurde. Ferne Unterhaltungen, komödiantische Rollenspiele und Schritte; Gelächter, Vogelgezwitscher und klimpernde Pianolinien; alberne Songs und Raum; durch Tape-Delay gestreckte Schreie, Bassgepolter, Mondgesänge und das ganze nochmal von vorne. Es sind zwei junge Menschen, die versuchen einander gegenseitig zu befremden, zum Lachen zu bringen und sich schwer verlieben. JOHN LENNON spielt mit Delays und Loops, während YOKO ONO ihre expressionistischen Vokalisierungen übt. Der Rauch und der Wein sind fast hörbar. Der Bonus Track ,Remember Love\", nun ein Teil des Reissues im CD und Download Format, war auf dem Originalrelease nicht enthalten.\u003c\/p\u003e","brand":"Secretly Canadian","offers":[{"title":"Default Title","offer_id":40161988739131,"sku":"SCLP289","price":28.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/4346\/8859\/products\/00102418.jpg?v=1649775110"},{"product_id":"didi-kern-philipp-quehenberger-linz-lp","title":"Didi Kern \u0026 Philipp Quehenberger - Linz - LP","description":"LINZ is a live concert recording featuring the ferociously dynamic Austrian duo Didi Kern \u0026amp; Philipp Quehenberger. Active as a duo since their first concert at CBGBs in 2002 this celebrates their 15 year anniversary. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePRESS TEXT: \u003cbr data-mce-fragment=\"1\"\u003eWe’re passing through an era when synthesizers have seeped into damn near every corner of avant-garde music, and yet the technology these days is too seldom used in the service of free improvisation. Oh sure, we’re treated to plenty of experimental techno, ambient drone, industrial and even underground rock all swimming in synth-based textures, atmosphere, programming and other compositional elements. But for those of us whose ears are tuned to the outer limits of jazz and noise, just about the only athletic bruisers willing to step to the plate on a consistent basis have been the veteran duo of drummer Didi Kern and keyboardist Philip Quehenberger. And to remind of us of their long-running exceptionality, the prolific Austrians are dropping LINZ, a ruthlessly sweaty live album meant as a celebration of the tandem’s 15-year relationship.","brand":"Shameless Records","offers":[{"title":"Default Title","offer_id":40161989689403,"sku":"SHLP05","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/4346\/8859\/products\/a2046580359_10.jpg?v=1648641800"},{"product_id":"roberto-musci-giovanni-venosta-massimo-mariani-losing-the-orthodox-path-lp","title":"Roberto Musci, Giovanni Venosta, Massimo Mariani - Losing the Orthodox Path - LP","description":"How does one describe such a supremely crafted tapestry of sound and composition when there is such a rich canvas of details to appreciate it? As a homage to ancient music, Musci, Venosta and Mariani blend a powerful undercurrent of otherwordly intrigue and mysticism throughout their structures, resulting in an emotionally engaging experience unlike any other CD recording I’ve encountered. Most of the real-time playing is placed alongside and distinctly from the computer world, creating both a stimulating, dynamic and crossover references. There is much originality to reward both close and repeat listenings. This isn’t jazz, nor improvised; in their words, “Losing the orthodox path” is a homage to ancient music, but through an electro-acoustic approach. Our jazz and\/or rock souls do the rest” \u003cbr data-mce-fragment=\"1\"\u003eMichael King\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ereleased February 3, 2020 \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eROBERTO MUSCI - sampler, prepared electric guitar, tapes, CD player, treatments, synthesizer, rain-stick \u003cbr data-mce-fragment=\"1\"\u003eGIOVANNI VENOSTA - prepared piano, organ, spinet, voice, ocarina, mouth, percussion, jew’s harp, sampler, synthesizer, tubes, digital percussion, pandaa (zither from Burkina Faso) \u003cbr data-mce-fragment=\"1\"\u003eMASSIMO MARIANI - digital treatments \u0026amp; FX, voix, electronics, electric guitar, detuned acoustic guitar, harmonica, mouth, tapes, digital glockenspiel, mandolin, double bass, sampler, valiha (zither from Madagascar)","brand":"Soave","offers":[{"title":"Default Title","offer_id":40161993162811,"sku":"SOAVE25","price":26.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/4346\/8859\/products\/a0776516090_10_3f53cbca-03c9-44b4-8637-9dc31701ec26.jpg?v=1655823089"},{"product_id":"anne-guthrie-gyropedie-lp","title":"Anne Guthrie - Gyropedie - LP","description":"“Gyropedie,” Andy Guthrie’s third record for Students of Decay, takes us further into her hermetic practice, wherein expertly captured field recordings, French horn, and electronics are woven into potent and richly imagined electroacoustic environments. In Guthrie’s own words, “Quite literally a record of pilgrimage from East to West. Remnants of Midwest and East Coast soundmarks, instruments sold to lighten the travel load, sketched out and then buried under the new. Winter birds and crunching snow, frozen playgrounds, broken synths - I spent a year decoupaging over this, but of course it's still there. A second moon appears occasionally in the daytime, and there are frequent, murky transmissions. California has something alien about it I'm still trying to grasp. Primarily vintage, unabashed, corny, I find myself becoming an impressionist.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAndy Guthrie is an acoustician, composer, and French horn player living in San Francisco, CA. They studied music composition and english at the University of Iowa and architectural acoustics at Rensselaer Polytechnic Institute, where they completed their Ph.D in 2014. Their music combines their knowledge of acoustics and contemporary composition\/improvisation. Their electronic music has focused on exploiting the natural acoustic phenomena of unique architectural spaces through minimal processing of field recordings. Their composition has focused on the orchestration of non-musical sounds, speech in particular. Their French horn playing has focused on electronic processing and extended techniques used in improvisatory settings, as a soloist and with Fraufraulein and Delicate Sen, among others. Their acoustics research has focused on the use of ambisonics for stage acoustics.","brand":"Students Of Decay","offers":[{"title":"Default Title","offer_id":40161993195579,"sku":"SOD125LP","price":24.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/4346\/8859\/products\/1000_4512ab19-468b-46d1-ba47-293537150c45.webp?v=1648373652"},{"product_id":"winter-family-chevaliers-lp","title":"Winter Family - Chevaliers - LP","description":"","brand":"Sub Rosa","offers":[{"title":"Default Title","offer_id":40161994506299,"sku":"SR505V","price":24.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/4346\/8859\/products\/a3650296663_10.jpg?v=1651152040"},{"product_id":"shampoo-boy-nebel-nadel-lp","title":"Shampoo Boy - Nebel \/ Nadel - LP","description":"The debut-album of Shampoo Boy was released in 2013 on Blackest Ever Black (London, UK).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHarsh electronic-noise-drone by new project of Peter Rehberg - one of the shining names in the international electronic\/avantgarde scene, Christian Schachinger and Christina CHRA Nemec.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003efirst and final pressing of 750\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eArtwork: Franz Graf\u003cbr data-mce-fragment=\"1\"\u003e","brand":"Substance Recordstore","offers":[{"title":"Default Title","offer_id":40161995948091,"sku":"SSS 6","price":12.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/4346\/8859\/products\/cover-SSS06-big.jpg?v=1654691598"},{"product_id":"musci-venosta-urban-and-tirbal-portraits-lp","title":"Musci \/ Venosta - Urban And Tribal Portraits - LP","description":"And so, steadily, Roberto Musci’s works are being made available for our listening pleasure. Soave’s edition of ‘the complete sessions’ of The Loa of Music, Musci’s debut album from 1984, is now flanked by Urban and Tribal Portraits, another milestone from 1988, a key collaboration with fellow sidereal world traveler Giovanni Venosta, whose essential and amazing debut album Olympic Signals was also recently repressed. While a number of the recordings that comprise this particular work have been (relatively) available --through a ReR anthology that also included tracks from the other Musci\/Venosta collaboration, Water Messages on Desert Sand as well as some integrated in the Music From Memory compilation, Tower of Silence, released under Musci’s name only—this is indeed the first time one can listen to this fundamental work as it was meant to be heard. Not a minor detail for a work that was obviously conceptually and narratively rigorously conceived by Musci and Venosta. \u003cbr data-mce-fragment=\"1\"\u003eAnd what a listen it is. \u003cbr data-mce-fragment=\"1\"\u003eUrban and Tribal Portraits reaffirms the idea of postmodern pastiche as a multimedia multisensory experience and sound as an ecosystem that is both aleatory and concrete, ephemeral and durable. In these binary paradoxes, a radical notion of the nature of collaboration, that is both chance induced and conversely conceptually worked out, is also established. The result is a work that exposes the fixed assumptions about the constructed boundaries and flows between musical traditions and practices. On its own this is the ultimately problematic place where many of the so-called musics concerned with the world reach an impasse, incapable as they are of questioning their own basic assumptions and ultimately end up strengthening those very same boundaries and flows that they had apparently set out to challenge. Musci and Venosta go further, principally and more fundamentally, by picking away at the margins of pure sonorous events and musical material, noise and sonance. In doing so, Urban and Tribal Portraits repoliticizes the notion of pastiche, engaging as it does in a kind of ecopractice, turning the process rather than the musical object into the poetic focus of the work. Fixed categories are rendered ephemeral, temporal and spatial categories including the margins, so hard to overcome, between composition, improvisation, authorship, recordedness and live performance are deconstructed. In the end, where one would expect seriousness there is levity and where one might see some postmodern appropriative ironic juxtaposition there is intensity and respect of the magical organicness of the material sources. \u003cbr data-mce-fragment=\"1\"\u003eLike much Italian experimental music from that magical decade of the 80s this is not your dad’s fourth world music, with all of its ambiguous aestheticism of ‘unifying’ some not so well defined primitivism of ‘world ethnic styles’ with the futuristic sounds of whatever ‘advanced electronic techniques’ were the platter du jour. In this sound the 8-bits of the E-Mu Emax is as primitive as the Jews Harp while the electronically treated Pygmy chants turn out to be as futuristic as the multi-timbral capacities of the OB-8. \u003cbr data-mce-fragment=\"1\"\u003eFrom the funk ostinatos of “El Lamento de Los Ayatollah” where Venosta showcases his straight piano playing to the rarefied queer guitar arpeggios in “Tamatave”, the peaceful ripples in “Dialogue Between a Dreamer and Others”, the playfulness of “Starfish \u0026amp; Kangaroos” or the post-punkish This Heat\/Cabaret Voltaire aggression in “The Fear of a Soldier” this is destabilization as praxis, a shifting of the ground. The new cover image, that replaces the ethno patchwork of the original sleeve (beautiful as it was) is indeed more to the point: Sven Hedkin’s photograph of early 20th century Tibetan death masks is at once urban and tribal, surrealist in its uncanniness. Just like in surrealist praxis these sounds offer some kind of redemption: sounds used in alternative ways, distinct from their usual connections, deconstructed. A DIY bricolage: a destructuring of everyday sound objects towards new uses fed by local ecosituated experiences, transformative of performance and listening. Surrealist ‘musicking’ indeed. \u003cbr data-mce-fragment=\"1\"\u003e-Peter Sarram","brand":"Soave","offers":[{"title":"Default Title","offer_id":40161998078011,"sku":"SV11","price":29.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/4346\/8859\/products\/a2891868642_10_14d062ad-fab0-4b01-9202-b08a92c0ea88.jpg?v=1650964892"},{"product_id":"musci-venosta-urban-and-tirbal-portraits-colored-vinyl-lp","title":"Musci \/ Venosta - Urban And Tribal Portraits (Colored Vinyl) - LP","description":"And so, steadily, Roberto Musci’s works are being made available for our listening pleasure. Soave’s edition of ‘the complete sessions’ of The Loa of Music, Musci’s debut album from 1984, is now flanked by Urban and Tribal Portraits, another milestone from 1988, a key collaboration with fellow sidereal world traveler Giovanni Venosta, whose essential and amazing debut album Olympic Signals was also recently repressed. While a number of the recordings that comprise this particular work have been (relatively) available --through a ReR anthology that also included tracks from the other Musci\/Venosta collaboration, Water Messages on Desert Sand as well as some integrated in the Music From Memory compilation, Tower of Silence, released under Musci’s name only—this is indeed the first time one can listen to this fundamental work as it was meant to be heard. Not a minor detail for a work that was obviously conceptually and narratively rigorously conceived by Musci and Venosta. \u003cbr data-mce-fragment=\"1\"\u003eAnd what a listen it is. \u003cbr data-mce-fragment=\"1\"\u003eUrban and Tribal Portraits reaffirms the idea of postmodern pastiche as a multimedia multisensory experience and sound as an ecosystem that is both aleatory and concrete, ephemeral and durable. In these binary paradoxes, a radical notion of the nature of collaboration, that is both chance induced and conversely conceptually worked out, is also established. The result is a work that exposes the fixed assumptions about the constructed boundaries and flows between musical traditions and practices. On its own this is the ultimately problematic place where many of the so-called musics concerned with the world reach an impasse, incapable as they are of questioning their own basic assumptions and ultimately end up strengthening those very same boundaries and flows that they had apparently set out to challenge. Musci and Venosta go further, principally and more fundamentally, by picking away at the margins of pure sonorous events and musical material, noise and sonance. In doing so, Urban and Tribal Portraits repoliticizes the notion of pastiche, engaging as it does in a kind of ecopractice, turning the process rather than the musical object into the poetic focus of the work. Fixed categories are rendered ephemeral, temporal and spatial categories including the margins, so hard to overcome, between composition, improvisation, authorship, recordedness and live performance are deconstructed. In the end, where one would expect seriousness there is levity and where one might see some postmodern appropriative ironic juxtaposition there is intensity and respect of the magical organicness of the material sources. \u003cbr data-mce-fragment=\"1\"\u003eLike much Italian experimental music from that magical decade of the 80s this is not your dad’s fourth world music, with all of its ambiguous aestheticism of ‘unifying’ some not so well defined primitivism of ‘world ethnic styles’ with the futuristic sounds of whatever ‘advanced electronic techniques’ were the platter du jour. In this sound the 8-bits of the E-Mu Emax is as primitive as the Jews Harp while the electronically treated Pygmy chants turn out to be as futuristic as the multi-timbral capacities of the OB-8. \u003cbr data-mce-fragment=\"1\"\u003eFrom the funk ostinatos of “El Lamento de Los Ayatollah” where Venosta showcases his straight piano playing to the rarefied queer guitar arpeggios in “Tamatave”, the peaceful ripples in “Dialogue Between a Dreamer and Others”, the playfulness of “Starfish \u0026amp; Kangaroos” or the post-punkish This Heat\/Cabaret Voltaire aggression in “The Fear of a Soldier” this is destabilization as praxis, a shifting of the ground. The new cover image, that replaces the ethno patchwork of the original sleeve (beautiful as it was) is indeed more to the point: Sven Hedkin’s photograph of early 20th century Tibetan death masks is at once urban and tribal, surrealist in its uncanniness. Just like in surrealist praxis these sounds offer some kind of redemption: sounds used in alternative ways, distinct from their usual connections, deconstructed. A DIY bricolage: a destructuring of everyday sound objects towards new uses fed by local ecosituated experiences, transformative of performance and listening. Surrealist ‘musicking’ indeed. \u003cbr data-mce-fragment=\"1\"\u003e-Peter Sarram","brand":"Soave","offers":[{"title":"Default Title","offer_id":40161998143547,"sku":"SV11","price":36.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/4346\/8859\/products\/a2891868642_10.jpg?v=1650964655"},{"product_id":"adreoni-paldaino-aeolyca-clear-vinyl-lp","title":"Adreoni \/ Paldaino - Aeolyca (Clear Vinyl) - LP","description":"\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWriggling away from any clear classification, as 80s Italian new music was wont to do, yet clearly drawing on a number of traditions and procedures, Andreoni and Paladino’s AEOLYCA project stands on its own as it intersects the two musicians’ already well established partnership in A.T.R.O.X. and The Doubling Riders among other settings with the sounds generated by Mario Ciccioli’s aeolian sculptures. Neither aiming for the organic purity of Harry Bertoia’s Sonambient recordings or the complex constructions of Mario Bertoncini’s works with aeolian harps, AEOLYCA walks a line of resistance in refusing to get with any program. The music that was produced in Andreoni and Paladino’s interaction with the recordings extracted by Emiliano Licastro from Ciccioli’s sculptures is one that breaks the boundaries between the sound and musical sources. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe work is divided between the quick timings of the Rain on the Bells, Sunday Clothes for Brass Bands and The Peruvian Club and the longer eponymous structured compositions that bookend the record each track characterized by a dominant sonority inspired by specific iterations of globalized musics. Ultimately, though, notwithstanding their individual structural and sound diversities, the project is indebted to the sampler, the ultimate absorber\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e, the sound source that takes up the most musical space and the possibilities of eroding sources and styles that it imposes. \u003c\/span\u003e","brand":"Soave","offers":[{"title":"Default Title","offer_id":40161998209083,"sku":"SV12","price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/4346\/8859\/products\/a4093494953_10.jpg?v=1648322670"},{"product_id":"bebo-baldan-vapor-frames-clear-vinyl-lp","title":"Bebo Baldan - Vapor Frames (Clear Vinyl) - LP","description":"The alchemist Bebo Baldan, accompanied by Steve James on violin and sarod (as well as on instruments of various geographical extractions) mixes, in a personal way, sounds from a bevy of different cultures – from Mediterranean and Indian, to South American – with synths, samples, and loops. The result is a boundless music that carries us, riding soft waves and bobbing between Balearic ambient, jazz and electronic, on islands that have been quietly, yet carefully cultivated; peaceful, fascinating, and reflective – places where time appears to dissolve. \u003cbr data-mce-fragment=\"1\"\u003eThe result is a stunning auditory atmosphere that relaxes the spirit in the same vein as a reiki treatment.","brand":"Soave","offers":[{"title":"Default Title","offer_id":40161998405691,"sku":"SV15","price":23.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/4346\/8859\/products\/a2336416645_10.jpg?v=1648458348"},{"product_id":"musci-venosta-a-noise-a-sound-lp","title":"Musci \/ Venosta - A Noise A Sound - 2LP","description":"\u003cp\u003eThe third episode of the alchemical association between Roberto Musci and Giovanni Venosta, reprinted for the first time by Soave Records in an elegant edition in double vinyl in gatefold cover. This work seems to be even more enigmatic than the previous ones. The \"plunderphonics\" style of the compositional process, significant to allowing a technical experimentalism of inexhaustible variety of materials used (compendium of sounds, harmonies, ethnic timbres) and the infinite possibilities of assembly between non-sense and provocation, still remains. We are almost stimulated to guess - in the articulated sound architectures of the tracks - every single fragment of popular or cultured music from every part of the world (Asia, Africa, Middle East, South America) related to the ad hoc inserts of polyphonic instrumentation distorted and dazed. The music expressed is basically a polyhedral pataphysical gaze on the complexity of the existing, an immersion in the contradictory forces of reality; the attentive listener will be able to recognize the tortuous and magical lines of a free and imaginative artistic creation, which is absolutely counter-current and unconventional.\u003c\/p\u003e","brand":"Soave","offers":[{"title":"Default Title","offer_id":40161998798907,"sku":"SV19","price":22.5,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/4346\/8859\/products\/a3134231049_10.jpg?v=1650964488"},{"product_id":"marco-dalpane-le-citta-invisibili-lp","title":"Marco Dalpane - Le città invisibili - LP","description":"A Marco Dalpane's unreleased recording (mainly known for the cult album “Scorie” released with Tiziano Popoli) produced in 1991 for Radio Rai as an accompaniment to the reading of Italo Calvino “Le città invisibili” (\"Invisible Cities”). \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFirst thing you notice is how Marco Dalpane personal soundtrack for “Le città invisibili” could be seen as a link towards the combinatorial approach adopted by Italo Calvino in the book, where he used the language as a semiotic system and the literature as a mechanism of possibilities, with the reader becoming active part in the process. You can see Dalpane detaching from a linear handling of the compositional resources, working instead with computer algorithms and emerging with a sound-sphinx that multiplies the listening interpretations, a sound that is characterized in form and timbre but at the same time is full of suggestions and summoning elements that the listener has to relate. In this it’s evident a constant in the Dalpane’s music, its sensitive side, away from every technical or conceptual precondition. In the five tracks created for this soundtrack, that finally are collected in this album, as in his other works, Marco is always capable to decode aesthetics coordinates of the cultural or temporary universe of reference, but mainly he is the vehicle of an artistic vision that is plausible incarnation of the essence of things, the very spirit of being a musician. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eChristian Zingales","brand":"Soave","offers":[{"title":"Default Title","offer_id":40161998897211,"sku":"SV24","price":20.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/4346\/8859\/products\/a0473702860_10.jpg?v=1650534504"}],"url":"https:\/\/laden.siluh.com\/collections\/experimental-avantgarde.oembed?page=6","provider":"Siluh Laden","version":"1.0","type":"link"}